Musica Poetica. Musical-Rhetori cal Figures in German Baroque Music Dietrich Bartel of Nc-bra the U”I’Cr,’l) of: . Dietrich Bartel. Musica Poetica: Musical-Rhetorical Figures in the German Baroque. Lincoln and London: University of Nebraska Press, xv, pp. Musica poetica: musical-rhetorical figures in German Baroque music / Dietrich Bartel Bartel, Dietrich Bartel then turns to more detailed considerations of the.
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To Quintilian, can refer to a naturally meager style, or an aggressively and intentionally plain one. A repetition of a noema at mmusica same pitch. A homophonic passage within a contrapuntal texture.
Musica Poetica: Musical-Rhetorical Figures in German Baroque Music
An expression that is deliberately either foul such as crude language or ill-sounding such as from excessive alliteration. Paul Thom – – Grazer Philosophische Studien The imitation of another’s gestures, pronunciation, or utterance.
Circumlocutions are rhetorically useful as euphemisms, as a method of amplification, or to hint at something without stating it. Ending a series of lines, phrases, clauses, or sentences with the same word or words. To ask other readers questions about Poetca Poeticaplease sign up.
Dietrich Bartel. Musica Poetica: Musical-Rhetor – Canadian University Music Review – Érudit
Two words of similar sound but different meaning brought together. Joseph marked it as to-read Oct 08, Rhetoric in Shakespeare’s Time: Refresh and try again.
Ahle, Burmeister, Mattheson, Vogt, J. Rhetorical repetition that is grammatically superfluous.
Mary Sue Morrow – Clicking the M-link takes you to a page of musical definitions and examples. Columbia Bible College added it Apr 02, Holly Watkins – – Cambridge University Press. Christian Hildebrandt rated it it was amazing Sep 10, An obscure and subtle speech.
Musica Poetica: Musical-Rhetorical Figures in German Baroque Music by Dietrich Bartel
Description of a place. The dividing of a whole into its parts. As ignorant as dirt.
Yuki Osa rated it it was amazing Jan 28, Sign in Create an account. Zeugma comprises several more specialized terms, all of which employ ellipsis and parallelism among the governed members of the sentence.
The Philosophy of Music. The Quest for Voice: Repetition of the same letter or sound within nearby words. Complaining against injuries or pleading for help. Carlo Stringhi marked it as to-read Nov 11, Kwnstantina Kaps marked it as to-read Dec 08, Monthly downloads Sorry, there are not enough data points to plot this chart. History of Western Philosophy. Zeugma is sometimes used simply as a synonym for syllepsisthough that term is better understood as a more specific kind of zeugma: Greek name for the rhetorical pedagogy known as imitation.
Find it on Scholar. Florence Malhomme – Want to Read Currently Reading Read. Bernhard, Mattheson Printz, Spiess, J. A kind of paralipsis in which one explicitly affirms the negative qualities that one then passes over; A general figure of emphasis that describes when one states something as though it had been musicq dispute or in answer to a question, though it has not been.
Musica Poetica Musical-Rhetorical Figures in German Baroque Music
Plea in defence; defending one’s words or acts with reasonable excuses; excusing by necessity. Encomium ; 3 A figure of speech. Is Music a Universal Language? Night’s candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. Open Preview See a Problem? Just a moment while we sign poetixa in to your Goodreads account.
Ambiguity of grammatical structure, often occasioned by mispunctuation. While keeping this general meaning, ” encomium ” also names several distinct aspects of rhetoric: If the figure is highlighted as poetoca link, you can click on it to get more information.